I was digging through my achives looking for an image the other day when I came across one of my favorite images I had made of Nobel Prize winner, George E. Smith in 2005, while on assignment for Black Star. What I did not know at the time I made this image, because we mostly talked about life and sports during the photo shoot, was that Mr. Smith was responsibe for the invention of an imaging semiconductor circuit – the CCD sensor of which I was photographing him with inside my Nikon D100.
Think about that.
I’m making pictures using a piece of equipment that he had envisioned in 1969. The whole time I was at his house in Toms River, he never mentioned it once.
For those who don’t know about Black Star, it was the first privately owned picture agency in America and is noted for it’s contributions to the history of photojournalism. The agency was formed in 1935 and introduced numerous new techniques in photography and illustrated journalism. It took me a long time to get into that agency.
I had applied to become a Black Star photojournalist early in my career. I was encouragingly rejected by a very nice woman who became one of my good friends. They apparently already had a photog that they represented in the Philadelphia market and did not have room for another. I was told to re-apply after I had some more experience. Years later, that photojournalist who was already represented, who had also befriended me early on, passed away. What I did not know was that he had mentioned me to the higher ups, and when he passed on, they reached out to me and asked if I was still interested in working with them. Hell yes!!
It never occurred to me at the time that I was photographing one of the people responsible for the digital camera I was using while working for the photo agency that revolutionalized photojournalism in the 30’s on.
I’m sitting here thinking about it.
All that’s going through my head is, how fucking cool!?
Tag: photojournalism
Gathering ID’s For Captions
Years ago, when gathering names for captions I would write a name, age and location in a notebook. I had tons of these notebooks. Many times, when I’d get back to the newsroom to process my film and edit my images I would barely be able to read my chicken scratch writing. I’d figure it out, but it became a real pain in the neck at times.
Fast forward 20 years later. An iPhone…. video camera built in, it’s now so much easier to keep track of id’s for photographic captions. Nowadays I videotape my photographic subjects saying their names and where they are from. That way, there’s no doubt I have the names spelled correctly .
This video is a small sampling of some of the people I’ve photographed recently as they give me their names.
Sister Josaphat Slobodian Creates Ukrainian Easter Eggs with Pysanky
In May of 1990 I was working on a feature story for the Philadelphia Inquirer about the fact that nuns were getting older and new nuns were not taking their place. The 132 acre province was home to the dwindling order of Sisters of Saint Basil The Great in Glenside. I believe I spent a day and a half there making pictures. It was a time when newspapers would give a photojournalist the time needed to capture images that would illustrate a story and do it justice. They also allotted a good amount of space for it with the Neighbors sections.
While I was wandering around the motherhouse grounds I met a few nuns that were kind enough to allow me to hang with them as they went about their day. One sister tended to horses, another maneuvered a tractor across the lawn, one nun was tending her garden and yet another was washing outdoor furniture. Some of the nuns taught at St. Basil Academy. The one I have never forgotten is the sister I met in one of the buildings of Manor College. Upstairs far above the classrooms was an attic which Sister Josaphat Slobodian used as her workspace. There, every Easter, she made Ukrainian Easter Eggs with a technique referred to as “Pysanky.” According to pysanky.info, Pysanky is an Easter egg decorated using a wax resist (aka batik) method. Its name derives from the Ukrainian verb “pysaty,” meaning “to write. Design motifs on pysanky date back to pre-Christian times–many date to early Slavic cultures, while some harken to the days of the Trypillians, my neolithic ancestors, others to paleolithic times.”
It is a really interesting process to watch. Sister Josaphat allowed me to hang around while she made the eggs. Some of the details in the eggs must have taken her hours to finish. They were so detailed with indicate patterns. I must say, it was some of the most inspiring art work I had seen in a while.
Sadly, Sister Josaphat passed away a few years ago. I just found that information out a few days ago. But with Easter coming, I thought it appropriate to share some of the images I made while she created her Ukrainian Easter Eggs May 1, 1990. A few days after I made these images, a small box showed up in the mail at the office. It held a very cool Ukranian Easter Egg that Sister Josaphat had made. It was one of the finished eggs in her collection that she noticed me admiring the day I was at the Motherhouse. In the box was a nice thank you note.
Twenty eight years later, I still have that egg. It rests on my mantle.
Every time I look at it I think of Sister Josaphat.
Dreaming Of Affordable Housing
In 1992, I spent a few days working on a story about the lack of affordable housing in the Philadelphia suburbs of Bucks County. The other day I read a post on Facebook about how a community came together to help place a family into an affordable home since they were about to lose their residence and it was so close to Christmas. I made the following images in June of 1992. Seems to me that there was a problem way back then that still exists to this day and folks need housing 365 days a year. Not just because it’s Christmas. It’s great that people banded together to help that family, but don;t forget that there are another 364 days a year that people in the Philadelphia region go homeless. So much more needs top be done.
Here are some of the images.
And here is a few clip from the Inquirer, 1992.
Every Picture Has a Story: Marie Noe
Every picture has a story behind the making of that image.
It’s June 28, 1999. A warm summer day. I pack up a single Nikkormat that had a busted light meter and an 85mm 1.8 lens along with a half a roll of film, hop into my Jeep Wrangler. No doors. No top. Warm air. Dreamy summer day for a drive into the upper parts of Bucks County, Pennsylvania. I’m envisioning a long cruise with the radio on.
I leave the house. Head up Rt. 263 to Rt. 413. Make a left. Next thing you know I am in Bedminster. It’s about 11 AM.
The phone rings. It’s Bernadette Tuazon, who at the time was the Pennsylvania photo editor for the Associated Press. She asks if I’m available. I said yes, but all I have with me is a Nikkormat and two lenses along with a half roll of Fujicolor Film. It doesn’t matter. No one else was around. She asked if I can get to North Philadelphia…as soon as possible. Of course, I say yes. Apparently, Marie Noe, the 70-year-old woman who plead guilty to smothering eight of her ten young children was headed home for house arrest. I never in a million years thought I could get there in time and was very leary of the fact that I didn’t have much film (yes, this was way back when we shot film).
Somehow, in 60 minutes I made it from Bedminster to Noe’s home on American Street in Philadelphia. I arrived just as she was about to enter her home. I left out of the Jeep with my camera in hand. Luckily, it was loaded and ready to go. As I ran closer to the door setting my exposure. Remember, the meter did not work. I had to guess at the exposure. Overcast day, 400 ISO = 2000 @f5.6.
Luckily, she had a rough time with the lock. Her face was looking straight at the door, until Matt O’Donnell (God Bless Him!) from 6ABC in Philadelphia blurted out her name a few times. By that time I was standing next to Matt. I was able to make one image, turn the camera to the next frame and then one more click. She looked right at us with a scary look that I have yet to forget. At that moment, I knew I had the image I needed.
I then went and process the film. All two frames were perfect.
Years before, one of my old Philadelphia Inquirer colleagues, Akira Suwa, said to me at lunch one day that I should be able to feel the light. He then quizzed me on the different exposures and ISO’s in certain situations. I did get them all correct, but I never thought anything of that conversation until the moment when i was guessing the exposure for Marie Noe’s image. Boy was he correct. That lesson at an every day lunch made me think. I’ve never forgotten that and always try to guess at the exposure before I use my light meter to this day.
That said. Here is the image of Marie Noe. It is with thanks to Bernadette Tuazon, Matt O’Donnell and Akira Suwa.
[a once and a while series telling the story behind the image]
Long Before Teen Mom on MTV
Long before Teen Mom hit MTV screens, way back in 1989, while working for the Philadelphia Inquirer I spent a few days at William Tennent High School in Warminster, Pennsylvania making pictures of a program geared to keep Teen Moms in school. The school, and mostly, Centennial School District, set up a day care program so young women that had children while in high school could keep on attending school and get their diploma. It was pretty simple. The girls would drop of their child before classes started, then go to school. They could come back to visit the children any time during the day. Then would pick them up after school and in some cases, actually do their homework in the day care while waiting for the bus ride home.
Here are some of the images from the package I did in 1989. Images were shot with Tri-X film and probably pushed to 1600 ISO in most interiors with Nikon F3’s as camera of choice.
Basketball, Basketball and More Basketball ….It’s Championship Weekend
I spent last Friday and Saturday in Hershey at the Giant Center photographing PIAA Championship basketball games. On Friday for the Inquirer and Saturday for the Intelligencer. Lots of great action, joyful moments and also, sad moments. Overall fun time making the pictures though. I had a system in place, shoot the first half, transmit pictures then shoot a bit more in the fourth and then make pictures of the jubilation or dejection, depending upon how the teams I was covering fared. In three of the five games I photographed, the team from southeastern Pennsylvania won the state championship in their class.
It was a great photographic weekend. 🙂
See some of the images below.
Some clips:
Eve Plumb in Black and White at Bucks County Playhouse 1991
Black & White Goose Hunt in Buckingham, Pennsylvania Shot on Film
On November 2, 1991 from about 4am until 1pm, Walter Naedele and I spent time with a group of geese hunters as they sought their prey. It was a time when I shot with film cameras.
I remember it being really chilly that morning and loading my Nikon F3 cameras with the Kodak T-MAX 3200 was a bitch. My hands were too chilly to feel anything. After a bit of a struggle the cameras were loaded. T-MAX 3200….what a film. It was almost pitch black when we arrived at 4am. The hunters planned to catch the gases at sunrise, when they were foraging for early morning food. I had and still have a disdain for hunting, but that was my assignment. So, I had to make the images. Besides, if I didn’t someone else would.
That T-MAX 3200 was push processed to 6400 ISO and enabled me to make some really early morning pictures in the duck blind where we were hidden. The images look a bit grainy to me, but worked well considering the lighting conditions.
Once the sun started to come up I was able to switch over to trusty old TRI-X 400 speed film. I do believe that I push processed that to 1600 ISO. Anyhow, here are some of the pictures and a picture of one of the Nikon F3’s and a contact sheet on a light table.
Odyssey Of The Mind at Pennsbury High School
Last weekend I photographed the Odyssey of the Mind competition in Fairless Hills, Pennsylvania at Pennsbury High School. The Odyssey of the Mind is an international educational program that provides creative problem-solving opportunities for students from kindergarten through college. Team members apply their creativity to solve problems that range from building mechanical devices to presenting their own interpretation of literary classics.
The competitors solved problems with great presentations.
Here are some clips and the actual images from the event.