Every year, for years, there was an eating competition in Philadelphia held every Friday before the Superbowl as an alternative to the Eagles again not making it into the big game. Once the Eagles won the Superbowl a few years back, Wing Bowl was ended.
Wing Bowl was a wing eating contest filled with all around debauchery. 20,000 attended annually.Boobs, butts and blowing chunks it was just plain trashy.
It started very simply as a contest. In fact, there was a time where the “Wingettes” were friends and family of the folks running the event. They wore sweathshirts and jeans. Twenty years later, any amount of clothing was too much. It was one of those things that, every year, I hated to cover. When I’d mention it to my editors on the phone, I could sense it as they cringed.
Some of the former participants remain in the news. Recently, one of the original winners, El Wingador, was busted again for cocaine possession in Nebraska.
That said, here is a look back at some of the craziness.
Tag: Photographer
That Time I Photographed The CCD Inventor
I was digging through my achives looking for an image the other day when I came across one of my favorite images I had made of Nobel Prize winner, George E. Smith in 2005, while on assignment for Black Star. What I did not know at the time I made this image, because we mostly talked about life and sports during the photo shoot, was that Mr. Smith was responsibe for the invention of an imaging semiconductor circuit – the CCD sensor of which I was photographing him with inside my Nikon D100.
Think about that.
I’m making pictures using a piece of equipment that he had envisioned in 1969. The whole time I was at his house in Toms River, he never mentioned it once.
For those who don’t know about Black Star, it was the first privately owned picture agency in America and is noted for it’s contributions to the history of photojournalism. The agency was formed in 1935 and introduced numerous new techniques in photography and illustrated journalism. It took me a long time to get into that agency.
I had applied to become a Black Star photojournalist early in my career. I was encouragingly rejected by a very nice woman who became one of my good friends. They apparently already had a photog that they represented in the Philadelphia market and did not have room for another. I was told to re-apply after I had some more experience. Years later, that photojournalist who was already represented, who had also befriended me early on, passed away. What I did not know was that he had mentioned me to the higher ups, and when he passed on, they reached out to me and asked if I was still interested in working with them. Hell yes!!
It never occurred to me at the time that I was photographing one of the people responsible for the digital camera I was using while working for the photo agency that revolutionalized photojournalism in the 30’s on.
I’m sitting here thinking about it.
All that’s going through my head is, how fucking cool!?
Hey I made that!!
The other day I was viewing a FB post by someone I know. She was out with her family celebrating a birthday. They made a bunch of pictures of the celebration and posted them on social media. I noticed one of the pictures had, on the wall, a photograph of the Phillies Phanatic at the World Series Championship Parade in 2008.
Have any of you ever seen this photograph hanging on a wall somewhere? Yup. It’s one of mine. I made that image at Broad and Spruce with a 300mm as I got tired of riding on the bus the Phillies provided for media. I wanted to get out in the crowd and see what I could find pictures wise. Low and behold, the Phanatic was dancing atop one of the floats with City Hall in the background.
That image must have been published and republished many times over in the past 13 or so years. I once saw a print of the image for sale in Wegman’s. If you’ve seen it somewhere, let me know.
Know Your Rights As A Photojournalist/Artist
Wow. Flabbergasted is what I am at this moment.
I posted the above image on a facebook group this morning and while most people (over 300) liked the image, a few small minded people had a problem with the image. They didn’t have a problem with the composition, color or anything but the fact that the subjects might be Mennonite and accusing me of violating the subjects rights when I photographed them on a public beach in plain view. The complaints did not come from the subjects of the image, but some small minded people who did not like the subject matter. They tried to tell me the image should be removed because Mennonites do not like to be photographed. As someone who has photographed Mennonite and Amish folks for that matter, I’ve never come across a problem with making pictures of younger folks. The older folks sometimes do take issue with being photographed, but these people certainly didn’t have a problem. They were on a public beach in plain view for all to see.
I made the image because it showed a group of friends enjoying the day and each others company a well as the beautiful Cape May beach. The colors popped in conjunction with the sky and the fact that they are small in the frame shows designed to imply the larger, and hopefully great things to come, in these individuals lives. It’s a pretty picture on a gorgeous day with nice color that merely documents the moment.
To anyone who has a problem with this image, sorry you feel that way. As a photojournalist and artist, it is my right to make an image of anything I choose as long as it is in public view (which these people are). No laws are broken. No one’s rights have been violated (especially since the subjects are not identifiable). Well, maybe mine with the rude statements of some small minded individuals. The image is not being used commercially, but I do have every right in the world to use it editorially. And let me be clear, even if the subjects of this image had objected, I am well within my rights to make that picture and use it editorially. That said, if the subjects did object, I might not use the image. Did you read that? “MIGHT not.” Why? Because I am well within my rights whether those folks like it or not.
You have no right to violate my rights as an artist because you don’t like the subject of an image I made that breaks no laws.
If you have a problem with it, that is YOUR problem, NOT MINE.
Sister Josaphat Slobodian Creates Ukrainian Easter Eggs with Pysanky
In May of 1990 I was working on a feature story for the Philadelphia Inquirer about the fact that nuns were getting older and new nuns were not taking their place. The 132 acre province was home to the dwindling order of Sisters of Saint Basil The Great in Glenside. I believe I spent a day and a half there making pictures. It was a time when newspapers would give a photojournalist the time needed to capture images that would illustrate a story and do it justice. They also allotted a good amount of space for it with the Neighbors sections.
While I was wandering around the motherhouse grounds I met a few nuns that were kind enough to allow me to hang with them as they went about their day. One sister tended to horses, another maneuvered a tractor across the lawn, one nun was tending her garden and yet another was washing outdoor furniture. Some of the nuns taught at St. Basil Academy. The one I have never forgotten is the sister I met in one of the buildings of Manor College. Upstairs far above the classrooms was an attic which Sister Josaphat Slobodian used as her workspace. There, every Easter, she made Ukrainian Easter Eggs with a technique referred to as “Pysanky.” According to pysanky.info, Pysanky is an Easter egg decorated using a wax resist (aka batik) method. Its name derives from the Ukrainian verb “pysaty,” meaning “to write. Design motifs on pysanky date back to pre-Christian times–many date to early Slavic cultures, while some harken to the days of the Trypillians, my neolithic ancestors, others to paleolithic times.”
It is a really interesting process to watch. Sister Josaphat allowed me to hang around while she made the eggs. Some of the details in the eggs must have taken her hours to finish. They were so detailed with indicate patterns. I must say, it was some of the most inspiring art work I had seen in a while.
Sadly, Sister Josaphat passed away a few years ago. I just found that information out a few days ago. But with Easter coming, I thought it appropriate to share some of the images I made while she created her Ukrainian Easter Eggs May 1, 1990. A few days after I made these images, a small box showed up in the mail at the office. It held a very cool Ukranian Easter Egg that Sister Josaphat had made. It was one of the finished eggs in her collection that she noticed me admiring the day I was at the Motherhouse. In the box was a nice thank you note.
Twenty eight years later, I still have that egg. It rests on my mantle.
Every time I look at it I think of Sister Josaphat.
Writing From Personal Experiences
(Recently, I wrote about Spring Village at Floral Vale for the Bucks County Courier Times Best of Bucks 2017. Since I have been there many times over the past few years on photo assignments, I decided to write from my first hand experience of the facility. A few pictures are included.)
As a photojournalist, I get to see and photograph a lot of different things. When I see an assignment for any kind of event at Spring Village at Floral Vale, I get very excited. This is a great place. The staff is extraordinary with all of their residents. Every time I photograph an event here, everyone is always happy, from staff to residents this place is top notch.
As their website explains, “There is a place where the best care along with a home-like and quaint environment come together to provide memory care at its best. One visit to Spring Village at Floral Vale and you will understand why our community is the number one choice of families seeking secured memory care.”
They provide individualized care and the entire community is the resident’s home. The residents here are not confined to an area or locked behind closed doors.
The family atmosphere is also amazing.
That starts with leadership.
Spring Village at Floral Vale for the last eight years has been under the leadership of their Senior Executive Director, Deb Bodnar. Her experience in senior care, insight and insistence that this community be ever-ready to change with the needs of their residents, is the driving force of the community goals. Deb and her department head team understand the responsibility that is part of the privilege and honor given to them as a family chooses Spring Village at Floral Vale.
A while back I had the privilege of photographing a Mother’s Day brunch outside on a beautiful spring day. The families arrived first and were seated under an enormous tent. What I witnessed and photographed next was amazing. It was a parade of residents escorted by the staff out to the tent to meet with their loved ones. I’ve never seen so many smiling faces, or witnessed so many hugs and kisses in my 30 year career as a photojournalist.
And the hugs and kisses weren’t just for the family, but staff as well. The staff and residents at Spring Village at Floral seem to have a bond that is equal to family. The care and comfort I see there amazes me. It was an experience that actually brought a tear to my eyes as I was making pictures.
“Spring Village at Floral Vale has a commitment to actively recruit and retain staff with “Serving Hearts”. This is the key to good memory care. Anyone can give care, a “Serving Heart caregiver stands out. They are proud of their work. Each and every day they know they have made a difference for our residents.
We never stop our search for Serving Hearts.
“The disease of Dementia/Alzheimer”s is a reality in our world. We don’t apologize for it but rather work instead toward having each of our residents validated, affirmed and understood. It’s a challenging job but our staff at Spring Village regularly receive hands-on training in safety, care and progressive communication techniques that set us apart.”
Visit them and you’ll see why we they are the best of the best!
What Makes A Good Headshot?
Next time you or someone you know needs a new headshot, take the time to ask yourself, “what makes a good headshot?”
To me, and I’ve been working as a professional photojournalist for over thirty years, a good headshot needs three things.
1: Good light (light that shows 3 dimensionality of the subject)
2: Good face (it should show who you are and your face needs to fill a good portion of the frame)
3: No hands (no hands in face. hands are a distraction that take away light from the face)
This are three basic rules of thumb. Another factor that needs to be thought about is, what image are you trying to portray in your headshot? Is it for business, acting, modeling, etc.??
Your headshot should portray what you need it to for whatever the ultimate usage.
Most times what I see that photographers tend to provide for clients is not a true headshot, but a nice portrait. That’s all well and good, but if it doesn’t suit your purpose, it is useless.
In my last year working as a staffer at the Philadelphia Inquirer, I worked on the picture desk for a time. In that time, I had many business portraits come though the desk for profiles or news blurbs of people ‘s comings and goings from companies. I’ve seen them all. Nice simple images with a solid grey background to outrageously lit (overlit) headshot with a background of all different colors, cloud backgrounds and lots off what says they are not to be taken seriously. Many of the worst looked like high school portraits. Trust me, you don’t want that.
That said. Here are my thoughts on what makes a good headshot for various uses.
I believe that a serious business headshot should generally have the subject fill the frame in a diagonal pose, with their face towards the camera. Hands should not be anywhere near the face and mostly be at your side or folder in front of you and never be part of the composition. And, a grey backdrop is appropriate. A cloud or various color backdrop is highly inappropriate for any kind of business headshot. If you ever go to a photographer that offers you that, run. By all means run like there is no tomorrow. That will not help you to be taken seriously in business.
A more casual business portrait can be made outside, in a shaded area and either lit by available light or strobes (that means flash). Positioning should be the same as a serious business portrait, but in a nice outdoor setting.
I believe that an acting or modeling headshot should have the same good solid light in the subjects face. Maybe not as three dimensional, but more frontal lighting. Maybe the composition should be slightly more diagonal.
One of the things that many people mistake for a headshot is an image that is more apporopr=iately used asa portrait. A portrait generally shows more of an upper torso type of image which can or can not include hands. Generally, I always prefer that people rarely place their hands up to their face as the light tends to land on the hands and become a distracting plane in the image.
In the past when I was casting for a photo shoot, I would ask models for headshot. You would not believe how many models think a headshot is a three quarter length image or even worse yet, a full length photograph. I probably don’t need to tell you that those were the first ones tossed in the can because they couldn’t follow directions. So, when someone asks you for a headshot, please, please, please, make sure that is what you provide. And make damn sure that your photographer can provide what you need to put your best foot forward, whether for business or modeling and acting. If you feel they can’t, move on to a photographer that can do it. Correctly.
When I do a headshot for anyone, the first thing I ask is what is their end goal? What do they want to headshot to show? How would they want to be portrayed? Once I have an idea, we can then plan on wardrobe. I always suggest keeping things simple. In many cases dark earthy colors tend to work best. Stay away from any kind of patterns. That might take away from your face.
The way we’ll set up headshot shoots is either individually or have a headshot day where we’ll block out a four hour time slot at a company and they’ll have 8-10 people set up a time for pictures. We actually just did a few headshot shoots over 7 hours where we were able to shoot 35 and 45 respectively.
This is done by bringing my mobile studio on location. It’s pretty simple. Lights, reflectors and a stool. People.
Each of the shoots takes maybe 15 minutes. The subject them will receive a link to a gallery of images for them to choose their favorite. In some cases we’ve actually had them choose the image they prefer on location by providing a laptop and showing the images as we shoot live.
Next time you have to get a headshot, think of some of the suggestions I’ve made here. The most important thing is to keep it simple. Show your best self and your headshot will be golden.
The day they retired Dandelion from Crayola Crayons
One of my favorite photographic subjects, and clients @crayola, has decided to retire the color #Dandelion. Wishing him well in his travels and waiting to see what color will replace him. Although it’s hard to replace that shade of #yellow in any #artwork. Hopefully, he, or she will be just as #colorful as Dandelion. This image attached is a photograph I made a few years ago of him coming off the production line at the Crayola #Factory for the first time. If you look real close you can see him on the very top of the dandelion stack. #NationalCrayonDay #CelebrateDandelion #crayons #crayola #childhood #fun #celebrate #retirement #crayolafactory
The day I met the Berenstains and found we shared the same education and a mutual friend
Back in 2001, on this date as a matter of fact, I had the coolest assignment to photograph Jan and Stan Berenstain, creators of the “Berenstain Bears” childrens’ books.
Greatest Chefs In Philadelphia History
I believe this image is from some time in the mid 90’s. I was assigned to shoot an Iamy, or David Iams society assignment. The event was at the home of #Chef George #Perrier (2nd from left). It featured some of the greatest chefs in Philadelphia history cooking on the grill. The one I most remember though, is Chef Tell (left), born Friedman Paul Erhardt who owned Chef Tell’s Manor House in Upper Black Eddy, Pennsylvania. It was a place that my wife and I frequented often and got to know Chef pretty well. He was a wonderful, jovial fellow always looking to put a smile on your face as well as feed your tummy. I recall one assignment where he was teaching a grilling class at his restaurant. He was showing the folks how to grill steaks. While I was photographing him, after one demonstration he handed me a fork full of steak and wanted me to taste it. As politely as I could, I declined because I don’t eat red meat. He snickered, then put his massive hand upon my shoulder, and squeezing the back of my neck said, “You’ve got ball my friend. No one tells me no.” Uh, oh!! I thought. Scared to death because he was a big imposing fellow. Then he busted out laughing. Received that he didn’t kill me, so did I. He never let me forget that night. Teased me whenever I stopped by.
I have to tell you. I always had the best doing experiences at his place and wish he was still around today. What a nice dude. To this day, I miss that guy.
That said, I can’t recall who the other chefs are in the photo. #cheftell #erhardt #perrier #dining #masterchef #genious #cook #dine #philadelphia #restauranteur #legend #manorhouse #greatfoodgreatcompany #easterbrunch #grill #barbeque
Image and Caption Sheet From One of My First Philadelphia Inquirer Photo Assignments
Going through my archives recently, I found some old negatives from one of my first Philadelphia Inquirer assignments. It was August 11, 1987, and I was assigned to make your typical grip and grin photo of Jennifer Hai-Ying Tsou as she accepted a sponsorship from the Jenkintown Rotary Club which enabled her to spend a year in China studying music. I recall making images of her address to the rotary, but not really digging the images. Since she was studying music in China, I felt the need to actually show that in a photograph. Luckily, after the luncheon, she agreed to allow me to make some images of her at the piano of her parents home in Jenkintown. These days Jen Su is an accomplished TV and Radio Presenter as well as Corporate Master of Ceremonies and and Actress/Singer. In the days of film, we had to type a caption for every frame we made, because many times we had a lab person, most likely the late, great, Gervase Rozanski, processing our film and then printing the images. The caption sheet was zeroxed to the back of the print and then the correct caption was circled with marker. If was a much, much different process back in 1987. According to the assignment sheet I made exposed 5 rolls of film for the assignment and got to work with one of my favorite writers from back in the day, John Ellis. I also got to meet a very nice young woman who has gone on to accomplish great things. One of the reasons I got into photojournalism was because of the cool people and things I get to meet and do. Beats being stuck in a studio working on an illustration night after night and being isolated from everyone.
In what other career would Bono of U2 promise to have a pint with you when you visit Ireland?
#flashbackfriday #bw #blackandwhite #jenkintown #rotary #pennsylvania @jensu1 @phillyinquirer #phillydotcom
VIDEO: Residents join lawmakers at interfaith prayer service to promote peace
Attended by not only residents and faith leaders, but local lawmakers as well, an interfaith prayer service was held at Our Lady of Perpetual Help Thursday, March 2, 2017, in Maple Shade.
VIDEO: Bucks County Designer House & Garden empty house party held in Doylestown
The Bucks County Designer House & Garden Empty House Party was held Sunday, February 26, 2017 in Doylestown, Pennsylvania.
Next Mommarazzi!™ Photo Workshop Date Announced!!
Mommarazzi!™ Photo Workshop
by Cain Images
Saturday May 6, 2017 10am
Tyler State Park
Newtown, Pa.
Each Additional Child $5
Dentist Cares For HIV Patients
This is from an unpublished photo essay I worked on in 1989 at the Infectious Disease Clinic at Temple University. I spent a few days following around Dr. Michael Glick, who had started the IDC a year earlier. No one in the Philadelphia region was offering dental care to HIV patients at the time. Click and his staff were the only ones doing so that I had found at that time. Here are some archive images, from way back then.
HTML 5 Version Slideshow:
Long Before Teen Mom on MTV
Long before Teen Mom hit MTV screens, way back in 1989, while working for the Philadelphia Inquirer I spent a few days at William Tennent High School in Warminster, Pennsylvania making pictures of a program geared to keep Teen Moms in school. The school, and mostly, Centennial School District, set up a day care program so young women that had children while in high school could keep on attending school and get their diploma. It was pretty simple. The girls would drop of their child before classes started, then go to school. They could come back to visit the children any time during the day. Then would pick them up after school and in some cases, actually do their homework in the day care while waiting for the bus ride home.
Here are some of the images from the package I did in 1989. Images were shot with Tri-X film and probably pushed to 1600 ISO in most interiors with Nikon F3’s as camera of choice.
Baseball, Baseball and more Baseball….
Over the last few days I’ve photographed a few baseball games. It’s actually one of my favorite sports to photograph. Mainly, because of the love I had playing the game in my early 20’s. Although, I pretty much rode the bench, except for that one time….
Picture it: 1987. I’m at the plate. First at bat ever in organized baseball. Take a called strike. Then take another. Count is zero balls and two strikes. And just before the next pitch, the umpire calls the game due to darkness. And that was that. Never played again. It took me a year to make the team, and finally got a shot and it was gone like that.
Anyhow back to shooting. Here is some video and stills from the past weekend. Slide shows and videos.
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Two Days, Two States, Six Assignments….
Friday and Saturday I was in two states and shot six assignments. Sunday seems like payday with all of the clips to share today. One assignment didn’t run yet, but will be published next Sunday.
Here they are. Clips from The Philadelphia Inquirer, Bucks County Courier Times, The Intelligencer and The Burlington County Times.
Eastern Polar Bear Plunge in
600 souls braved 32 degree water temperatures to plunge into the delaware river and raise money for special olympics on saturday at neshaminy state park in bensalem.
they helped raise $120,000 during pennsylvania special olympics’ eighth annual eastern polar bear plunge.
for $50 per person, a person could take a dip in the freezing river fir a good cause.
participants waded and splashed their way out into the water and around a banana rescue boat while high-fiving officers as they exited the frigid water.
members of trevose fire company wore white wedding gowns into the water.
hot chocolate and coffee was served by duke donuts, a sponsor of the event.
Digging Out After Winter Storm Jonas in Newtown, Pennsylvania
On Sunday I spent part of the morning shoveling and trying to dig myself out from Winter Storm Jonas. Then in the afternoon, I went to make pictures and video of people in the Bucks County area also digging out. Here are some images and the video report.