Every year, for years, there was an eating competition in Philadelphia held every Friday before the Superbowl as an alternative to the Eagles again not making it into the big game. Once the Eagles won the Superbowl a few years back, Wing Bowl was ended.
Wing Bowl was a wing eating contest filled with all around debauchery. 20,000 attended annually.Boobs, butts and blowing chunks it was just plain trashy.
It started very simply as a contest. In fact, there was a time where the “Wingettes” were friends and family of the folks running the event. They wore sweathshirts and jeans. Twenty years later, any amount of clothing was too much. It was one of those things that, every year, I hated to cover. When I’d mention it to my editors on the phone, I could sense it as they cringed.
Some of the former participants remain in the news. Recently, one of the original winners, El Wingador, was busted again for cocaine possession in Nebraska.
That said, here is a look back at some of the craziness.
Come and visit with Santa Claus at this revolutionary photo experience, where we step outside the box of the traditional “sit your children on Santa’s lap” photographic session. Santa will interact with you and your family during a 30 minute appointment. The dates available are November 18 from 10am until 2pm.
I believe this image is from some time in the mid 90’s. I was assigned to shoot an Iamy, or David Iams society assignment. The event was at the home of #Chef George #Perrier (2nd from left). It featured some of the greatest chefs in Philadelphia history cooking on the grill. The one I most remember though, is Chef Tell (left), born Friedman Paul Erhardt who owned Chef Tell’s Manor House in Upper Black Eddy, Pennsylvania. It was a place that my wife and I frequented often and got to know Chef pretty well. He was a wonderful, jovial fellow always looking to put a smile on your face as well as feed your tummy. I recall one assignment where he was teaching a grilling class at his restaurant. He was showing the folks how to grill steaks. While I was photographing him, after one demonstration he handed me a fork full of steak and wanted me to taste it. As politely as I could, I declined because I don’t eat red meat. He snickered, then put his massive hand upon my shoulder, and squeezing the back of my neck said, “You’ve got ball my friend. No one tells me no.” Uh, oh!! I thought. Scared to death because he was a big imposing fellow. Then he busted out laughing. Received that he didn’t kill me, so did I. He never let me forget that night. Teased me whenever I stopped by.
Going through my archives recently, I found some old negatives from one of my first Philadelphia Inquirer assignments. It was August 11, 1987, and I was assigned to make your typical grip and grin photo of Jennifer Hai-Ying Tsou as she accepted a sponsorship from the Jenkintown Rotary Club which enabled her to spend a year in China studying music. I recall making images of her address to the rotary, but not really digging the images. Since she was studying music in China, I felt the need to actually show that in a photograph. Luckily, after the luncheon, she agreed to allow me to make some images of her at the piano of her parents home in Jenkintown. These days Jen Su is an accomplished TV and Radio Presenter as well as Corporate Master of Ceremonies and and Actress/Singer. In the days of film, we had to type a caption for every frame we made, because many times we had a lab person, most likely the late, great, Gervase Rozanski, processing our film and then printing the images. The caption sheet was zeroxed to the back of the print and then the correct caption was circled with marker. If was a much, much different process back in 1987. According to the assignment sheet I made exposed 5 rolls of film for the assignment and got to work with one of my favorite writers from back in the day, John Ellis. I also got to meet a very nice young woman who has gone on to accomplish great things. One of the reasons I got into photojournalism was because of the cool people and things I get to meet and do. Beats being stuck in a studio working on an illustration night after night and being isolated from everyone.
